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‹ The is being. › Q character First appearance ' ( ) Portrayed by Information Children Q Partner Q is a fictional character as well as the name of a race in appearing in the, and series, as well as in related media. The most familiar Q is portrayed. He is an extra-dimensional being of unknown origin who possesses immeasurable power over normal human notions of time, space, the laws of physics, and reality itself, being capable of violating or altering them in unpredictable ways with a casual thought or hand gesture. Despite his vast knowledge and experience spanning untold eons (and much to the exasperation of the object(s) of his obsession), he is not above practical jokes for his own personal amusement, for a Machiavellian and manipulative purpose, or to prove a point.

He is said to be nigh-, and he is continually evasive regarding his true motivations. The name 'Q' applies to the names of the individuals portrayed (all 'male' and 'female' characters refer to each other as 'Q'), it also applies to the name of their race and to the Q Continuum itself – an accessible to only the Q and their 'invited' guests. The true nature of the realm is said to be beyond the comprehension of 'lesser beings' such as humans, therefore it is shown to humans only in ways they can understand. Beginning with the pilot episode ' of, Q became a recurring character, with pronounced comedic and dramatic chemistry with. He serves as a major antagonist throughout The Next Generation, playing a pivotal role in both the first and final episodes.

Q is initially presented as a cosmic force judging humanity to see if it is becoming a threat to the universe, but as the series progresses, his role morphs more into one of a teacher to Picard and the human race generally – albeit often in seemingly destructive or disruptive ways, subject to his own amusement. Other times, notably during ' and Voyager, Q appears to the crew seeking assistance.

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Chose the letter 'Q' in honor of his friend, Janet Quarton. Contents. Televised appearances In Q's debut ', he puts Picard and the Enterprise crew on trial, arguing that humanity is a dangerous race and should be destroyed. When they later save the life of a kidnapped alien, Q agrees to defer judgement, though he hints that it will not be the last time the crew sees him. Q's next appearance was later in the first season, in the episode ', when he decides to admit a human into the Continuum. Q believes that humanity has the potential to one day evolve beyond the Q, and he wants to understand how. He settles on Picard's first officer, but Q fails to trigger the evolution and Riker remains human.

Thereby losing a wager with Picard, Q is bound by the terms of the wager to stay out of humanity's path forever. Q instantly vanishes, but continues to appear in later episodes as if the wager never occurred. In ', he offers to divest himself of his powers and guide humanity through uncharted regions and prepare it for unknown threats. Picard argues that Q's services are unneeded (and unwanted), and Q rebuts him by teleporting the to a distant system for their first encounter with the.

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Unable to resist the Borg, Picard must ask Q to save the ship. Q returns the Enterprise home and tells Picard that other men would rather have died than ask for help. The ' Star Trek: The Next Generation' Companion states that the Borg already knew about Earth and were already en route (having previously attacked Federation and Romulan outposts in the first-season episode, '), and that Q's actions were intended as an early warning. The episode, ', explains that the encounter in system J-25 intensified the Borg's interest in humanity, prompting them to escalate their plans to capture Earth. Using, the Borg alter the course of events depicted in, where they encounter the crew of the NX-01 Enterprise and inform their 24th-century predecessors of the existence of Earth. Q's actions stabilized the time stream by creating a different cause for the Borg's awareness of the Federation.

This anomaly is expanded upon in the Star Trek novels as being a partial indirect cause of the, whose reality diverged from the original time stream when attempted to warn Earth and the other worlds that would form the Federation about the Borg after the events of First Contact. In the original reality, Cochrane's warnings go unheeded. In ', Q is punished by the Q Continuum by being made mortal; his committing of an uncharacteristically selfless act (sacrificing his life so that a race attacking him will not destroy the Enterprise) garners the return of his powers. In the same episode, Q says that Picard is 'the closest thing in this universe that I have to a friend.' Q returns to the Enterprise in the TNG episode ' to thank Captain Picard for helping him regain his place in the continuum.

At the time Picard's 'friend' Vash is paying a visit. Q uses this opportunity to teach Captain Picard about love. This episode begins a partnership between Q and Vash which is seen again during the DS9 episode '.

In the TNG episode ' Amanda Rodgers, a young human student, seems to develop the powers of the Q during her internship with Dr. Beverly Crusher. Q boards the Enterprise, uninvited, to instruct Amanda and determine if she is fit to take her place in the continuum, revealing that her parents were actually Q in human form. While Amanda initially rejects Q's offer to join the continuum, she is unable to resist using her powers, and ultimately decides to explore her powers in the continuum. This episode is the first reference to Q reproduction.

Toward the end of The Next Generation, Q is less antagonistic toward Picard. In ', Q apparently saves Picard and helps him better understand himself, giving Picard a chance to avoid the accident that gave him an artificial heart only for Picard to choose dying as himself over living the tedious life he would have lived without the inspiration of his near-death experience (although whether Q actually appeared in this episode or was merely a Picard experienced during surgery is deliberately left ambiguous). In the series finale, ', Q gives Picard a 'helping hand' in saving humanity by helping him figure out what is causing 'antitime' to flow into the universe, which will inevitably stop humanity from ever being born. In the DS9 episode ', Q at one point goads into a match, all the while belittling and insulting him. When Sisko loses his temper and knocks Q down, an astonished Q says, 'You hit me! Picard never hit me!' Sisko counters frankly that 'I'm not Picard.'

Q responds with a smile, saying, 'Indeed not, you're much easier to provoke.' While on the station, Q gives hints to help the crew keep their station from being destroyed by an artifact that has been brought aboard it. His interest in humankind could be explained when he says goodbye to Vash: 'When I look at as gas nebula, all I see a cloud of dust. Seeing the universe through your eyes, I was able to experience.

I'm going to miss that.' Q in a Starfleet uniform In the Star Trek: Voyager episode ', Q pursues a rogue member of the Continuum, named Quinn, who has been inadvertently released from his asteroid prison by the crew of that ship, and who seeks asylum on the Voyager. He demands that Q make him human, as he does not wish to be a member of the Continuum any more, but Q refuses, because Quinn intends to commit suicide if he becomes human. The two parties agree to allow to mediate their dispute, and after Janeway eventually finds in favor of Quinn, Q makes Quinn human, after which Quinn commits suicide. Later, in the Voyager episode ', Q reappears on the Voyager, asking Janeway to bear his child.

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He eventually reveals that the uncertainty and instability caused by Quinn's suicide divided the Continuum, causing a civil war between Quinn's progressive followers and the conservative traditionalists of the Continuum. Q believes that the birth of a new member of the Continuum could revitalize the Q by giving them something new to focus on after millennia of stagnation and boredom. Janeway refuses, and after she and her crew bring about a ceasefire in the Continuum, Q eventually mates with the female Q with whom he had been involved (referred to in Star Trek novels as 'Lady Q'), producing a son. Their progeny is born conscious and with all the power of any other Q, although lacking adult maturity. Q makes Janeway his godmother. In the episode ', which is the last televised appearance of Q, he appears on Voyager with his immature, rebellious son, who appears as a human teenager (played by John de Lancie's real-life son, and referred to in the novels as 'Little Q' or 'q').

Q asks Janeway to mentor his son, and the two adults agree that the boy will remain on Voyager, without his powers, and either learn how to be a responsible, accountable, and productive inhabitant of the cosmos, or spend eternity as an. Eventually, the young Q comes around, but the Continuum is not entirely convinced, so in negotiation with Q, they come to an agreement.

Q must eternally guard, observe, and accompany the boy to ensure his proper behavior. Novels The similarity between Q and Trelane, the alien encountered in the Star Trek episode ', inspired writer to establish in his 1994 novel that Trelane is a member of the Continuum, and that Q is his godfather. Q's past is expanded on in the trilogy, which has Q and Picard travel through Q's past, witnessing Q's first encounter with the being that inspired his interest in testing other races. This being, known as 0, is similar to Q in power and abilities, but whereas Q has been shown to be more of a 'merry prankster' throughout Star Trek canon, 0 is malevolent in his desires, using 'tests' as just an excuse to torture other races by changing the rules of his games so that the subjects will inevitably lose. Q ends up bringing him into the Milky Way galaxy through the, and 0 assembles other seemingly omnipotent beings from the original Star Trek, including The One, the being who impersonated in.

This group was later defeated in a battle with the Q Continuum, though the were left extinct as a result. Q was thus put in charge of watching over Earth and its inhabitants. 0 later returned from his banishment beyond the galaxy and sought revenge on Q, but was defeated when Picard was able to convince one of 0's old enemies to join forces with Q to stop his former mentor. In the Voyager novel The Eternal Tide, Q's son sacrifices himself to save the universe, inspired by the example of the resurrected Kathryn Janeway, prompting Q to declare himself her enemy (although he swiftly gets over this hostility 'off-screen'). In the Star Trek comic series based on the alternate timeline established in the 2009 film, Q visits that reality to take the crew of the Enterprise into their future. This allows them to interact with characters from the original timeline in the new history created by Spock's trip to the past.

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It also helps Q deal with a threat to the Continuum in the form of the Pah-Wraiths, which have all but destroyed the in this timeline. Computer games The 1996 computer game included live action segments directed by James L. Conway and John de Lancie as Q Appendix of appearances Television episodes and novels featuring Q often have titles that play on the letter 'Q'.

'Q' stands for Quetzalcoatl, the legendary Aztec flying serpent. The pesky, four-clawed aerial lizard has been uprooted from its Mexican home for a New York Museum exhibits; 'Q' escapes, nestling in the spires of the Chrysler Building. It swoops down without warning to rip up and decapitate innocent bystanders-and lays eggs all over the city, just ripe for hatching into dead Q-lets.

The only person who knows where to find 'Q' is a scuzzy ex-convict, brilliantly portrayed by Michael Moriarity, who will help the authorities only if they meet his price. It is at this point that the audience realizes with some astonishment that Moriarity is the only hero this film is ever going to have. Directed by Larry Cohen, Q seems like a high-budget variation of an old American-International monster cheapie-no surprise here, in that the film's producer was American-International cofounder Samuel Z.

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Q's original title was The Winged Serpent; in some markets, the film carried both titles, merged into one. ½ Ray Harryhausen would be flattered with the stop-motion animation that adorns Quetzalcoatl, a prehistoric reptile who decapitates window-washers with a single munch. In the midst of it all is Jimmy Quinn (Michael Moriarty), a scurrilous low-life wheelman for criminals.

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It's as if Larry Cohen gestated on interjecting Ratso Rizzo from 'Midnight Cowboy' into a cartilage-laden creature-feature and against all odds, the raw, seedy B-plot of Jimmy Quinn is a stupendous switchback on archetypal horror-movie protagonists insofar as Quinn is a profiteering scoundrel who is flailing with reforming his felonious tendencies ('Maybe I can't make it outside the slammer.' Cohen is a Roger Corman-esque shlockmeister at heart and the titillating sight of a nude sunbather is juxtaposed with an ineptly shot scene of the droplets of the women's blood descending on pedestrians. Mostly due to budget, Cohen refrains from showing too much of the titular character and it extracts palpable suspense.

Truthfully, 'Q - The Winged Serpent' is a wistfully scalene endeavor as it jostles back and forth between Moriarty's filching scheme and the occult angle with human sacrifices to appease the Aztec god Q. Nevertheless, the strain of self-effacing humor (Quinn states he never wants to 'see eggs again' after witnessing Q's hatchling in his Chrysler Building lair) assists in digestion of the more disparate elements and it emerges as another unexpectedly witty character study with New York verisimilitude masquerading as a monster movie. About an hour in, Morarty goes off the rails and Cohen gives up on plotting and good dialogue. But until then, it's one of the most unique genre movies ever, taking a totally different angle of storytelling, in the plot, in the kind of dialogue that carries us from scene to scene, in the shots of parts of New York City that create the whole, in the super high and low angles and aerial shots that are all different than we've seen before and all perfect for pulling the characterizations and the monster threat together. The other half of what makes Q unique is the adventurous, voracious performance of Michael Moriarty. If Ratzo Rizzo was over-thought-out acting which Hoffman's second thoughts would have turned down a notch, here we get urban lowlife Jimmy Quinn and the opposite mistake.

It's a method-like performance that is totally feeling driven, and might reach too much into Morarity's own reserves as an eccentric gone crazy. For a while, Quinn ( - starts with 'Q' - ) is a amazing creation, and since he's more ordinary guy than crook, he has our empathy, and we like when he becomes a bit of a kook - it's the common man's way of being Danny Kaye. But Quinn gets more selfish and annoying and resentful of how life has treated him, and empathy distills into pity, which is half chore. I started empathizing with the monster, who was too majestic to get shot down like Edward G. Robinson and had the whole city against him, even Jimmy Quinn.